Miss Bennet Christmas at Pemberley Review Marin Theatre

About

OCT. xiii - NOV. 10, 2018

Directed past ELEANOR HOLDRIDGE

Middle sister Mary finally takes center stage in this mannerly and clever sequel to Jane Austen's Pride and Prejudice. While comforted past the company of books and her piano, Mary has grown tired of her role as the dutiful daughter and dreams of forging a new path. When the Bennets gather at the home of Mr. and Mrs. Darcy for the holidays, an unexpected run into brings virtually the possibility of an intellectual match and maybe even love for Mary. This enchanting romantic one-act promises to captivate long-fourth dimension fans of Jane Austen and newcomers alike.

"An unstuffy, highly entertaining and warm-spirited work, the kind of affair multiple generations tin can bask together." — Chicago Tribune

Informational: Miss Bennet: Christmas at Pemberley is suitable for audiences ages ten and older. Written in the spirit of Jane Austen, this romantic comedy features adults engaging in respectful relationships, mild gossip and a few chaste kisses.

RUNNING Fourth dimension: The show runs approximately ii hours and 14 minutes, including one intermission.

Photo of Ayana Workman every bit Mary Bennet past Tony Arrasmith/Arrasmith & Associates.

Andrew Fallaize

Arthur de Bourgh

Andrew Fallaize

Andrew is a British actor living in New York City, and he is delighted to be making his Cincinnati Playhouse in the Park debut. Off-Broadway piece of work includes The Lucky One (Mint Theater Visitor),Cornelius (59E59 Theater) and Remembrance of Things Past (92nd Street Y). Regionally, Andrew has appeared in a bout of Hamlet(Notre Dame Shakespeare Festival and national tour) and a workshop for the new play Here Nosotros Are Here (McCarter Theatre Center, Princeton). In the U.K., Andrew has worked at many of the country'southward leading theatres; highlights include: Firm & Garden (Imperial National Theatre); The Prince of Homburg (Royal Shakespeare Visitor, Lyric Hammersmith); Original Sin (Sheffield Crucible Theatre); Rex Lear (English Touring Theatre); A Midsummer Night'southward Dream (Mercury Theatre Colchester); Venice Preserved, Anatol and The Spanish Tragedy (Arcola Theatre); and Cornelius and Men Without Shadows (Finborough Theatre). Picture and tv credits include a contempo appearance in Gotham, The Death Flit and Revealing Mr. Maugham. Andrew is a voiceover artist with several audiobooks to his proper noun and multiple appearances on the BBC in radio drama. Andrew is a University of Cambridge graduate, and he trained as an histrion in London.

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John Ford-Dunker

Charles Bingley

John Ford-Dunker

John is honored to be making his Cincinnati Playhouse debut! His regional credits include Red (Geva Theatre Eye); King Charles III and The Curious Incident of the Dog in the Night-Time (Pioneer Theatre Company); and That High Lonesome Sound, And then Unnatural a Level, A Christmas Carol and The Glory of the World (Actors Theatre of Louisville). Other credits include The Glory of the World at Brooklyn Academy of Music, soot and spit at New Ohio Theatre, Macbeth with Old Chapeau Theatre Company and Hands on a Hardbody at Park Playhouse. Contempo television credits include "Clueless Gamer with Aaron Judge" on The Conan O'Brien Testify. John is an alum of the University of Wisconsin-Stevens Point, every bit well as the Professional person Preparation Visitor at Actors Theatre of Louisville. A native of Fargo, N Dakota, John currently resides in Brooklyn, New York. His original music can be found on Soundcloud nether his proper noun.

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Mia Hutchinson-Shaw

Lydia Wickham

Mia Hutchinson-Shaw

Mia is very pleased to be making her Cincinnati Playhouse in the Park debut! Her off-Broadway credits include The Lucky One (Mint Theater Company) and The Birds (59E59 Theater). Other New York appearances include The Isle Boys (Urban Stages Theater). Regional credits include All'southward Well That Ends Well (Virginia Shakespeare Festival) and Steel Magnolias (Grandstreet Theatre). On television, Mia has appeared on the BBC Scotland airplane pilot Shielding Nights and in a handful of short films. She received her BFA from The Regal Conservatoire of Scotland in Glasgow, Scotland, and she is a proud Interlochen Arts Academy graduate. Delight visit www.miahutchinsonshaw.com.

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John Keabler

Fitzwilliam Darcy

John Keabler

John is a bluegrass junky from Kentucky, and he is ecstatic to exist making his Cincinnati Playhouse in the Park debut so close to habitation. His Broadway credits include… none — he has never been on Broadway. But he has seen a few shows at that place, and honestly, the shows are meliorate here. Regionally, John has performed leading roles for Shakespeare Theatre Visitor of D.C., The Shakespeare Theatre of New Jersey, Pennsylvania Shakespeare Festival, The Old Globe, Perseverance Theatre, Contemporary American Theater Festival, Syracuse Stage, Portland Stage Company, Florida Studio Theatre and Creede Repertory Theatre. On television, you could have seen him on 30 Rock, Madam Secretary, All My Children, NASCAR: The Ascension of American Speed and The Men Who Built America… but you probably didn't. He received his MFA from The Old Globe Remedial Actors Training Plan. John dedicates his operation to all of his wonderful family who finally get to see him in a show because it is so close. Thanks, Cincinnati, for having such a dandy theatre scene. Exist certain to follow his shenanigans at world wide web.JohnKeabler.com or on Instagram @johnkeabler

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Maribel Martinez

Jane Bingley

Maribel Martinez

Maribel is pleased to be making her Cincinnati Playhouse in the Park debut. Her off- Broadway credits include Rip Van Winkle or Cut the Former Moon into Stars (Hudson River Valley Shakespeare Festival) and Julius Caesar (The Public Theater'due south Shakespeare in the Park). Regionally, Maribel has played at Santa Cruz Shakespeare and New Swan Shakespeare Festival in Irvine. She has taken part in workshops in developing plays by Korde Arrington Tuttle at JAGFest, Guadalís Del Carmen with SolFest and Dacyl Acevedo at The Lark. She received her MFA from University of California, Irvine. Please visit world wide web.maribel-martinez.com. Instagram: @instamarbles

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Marina Shay

Elizabeth Darcy

Marina Shay

Marina is thrilled to be dorsum in Ohio and making her Cincinnati Playhouse in the Park debut. She recently played Elizabeth Bennet in Pride and Prejudice at Virginia Stage Company and can't believe she gets to go on Lizzie's journeying in this delightful sequel. Marina besides recently finished playing Annie Sullivan in The Miracle Worker and Viola in 12th Nighttime in repertory at the Alabama Shakespeare Festival. Other regional credits include Viola in Shakespeare in Beloved (Cleveland Play House), Estella/Biddy in Dandy Expectations (Syracuse Stage, Table salt Awards All-time Extra nomination), Eleanor in Pulse (Guthrie Theater), Sasha in Ivanov (Trinity Repertory Visitor), Iphigenia in Iphigenia 2.0 (Cleveland Public Theatre) and Roxanne in Cyrano de Bergerac (Heartwood Regional Theater Company). New York Urban center credits include Julie in Miss Julie (Admission Theater) and Eurydice in Sarah Ruhl's Eurydice (Columbia Stages). Marina can be seen next as Marie Antoinette in Lauren Gunderson'south The Revolutionists at Gulfshore Playhouse. She received her MFA in Acting from Brown/Trinity Rep and her BA in Theater from Oberlin Higher. Please visit www.Marinashay.com for more than. Instagram: @marinashay

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Kathryn Tkel

Anne de Bourgh

Kathryn Tkel

Kathryn is thrilled to be making her Cincinnati Playhouse in the Park debut. Regionally, she's worked with Ford's Theatre, Folger Theatre, Woolly Mammoth Theatre Company, Circular Firm Theatre, Olney Theatre Center, Rep Stage, Mosaic Theatre Company, Everyman Theatre, The Kennedy Center TYA, Perseverance Theatre, Arizona Theatre Company, San Jose Repertory Theatre, San Francisco Playhouse, Lorraine Hansberry, Willows Theatre Company, California Solarium Theatre, Boxcar Theatre and Just Theater. Kathryn graduated from Academy of California, Irvine, with degrees in both Drama and Anthropology. She received her MFA from The Shakespeare Theatre Company's Academy for Classical Interim.

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Ayana Workman

Mary Bennet

Ayana Workman

Ayana is very excited to exist making her Cincinnati Playhouse in the Park debut! Her New York theatre credits include The Winter's Tale and Romeo and Juliet (The Public Theater); Dos Worlds (Trinity Church building); and Macbeth (Masterfool). Ayana's regional credits include Romeo and Juliet (Shakespeare Theatre Company). Ayana has appeared internationally in Julius Caesar at The Globe Theatre (London, England); Virtual Truth at Bunker (Ljubljana, Slovenia); and Guernica Continuum at SNG Maribor (Maribor, Slovenia). On television, Ayana has appeared on Person of Involvement, and you can catch her on the 2nd season of Jessica Jones. Ayana graduated from Mason Gross Schoolhouse of the Arts at Rutgers University with a BFA in Acting. Ayana is dedicating her performance to her mother and her father. Delight visit www.ayanaworkman.com.

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Lauren Gunderson

Playwright

Lauren Gunderson

Lauren M. Gunderson is the most produced playwright in America of 2017, the winner of the Lanford Wilson Award, the Steinberg/ATCA New Play Award and the Otis Guernsey New Voices Award. She is also a finalist for the Susan Smith Blackburn Prize and John Gassner Honour for Playwriting, and a recipient of the Mellon Foundation's Three-Year Residency with Marin Theatre Visitor. Cincinnati Playhouse in the Park produced the globe premiere of The Revolutionists in 2016. She studied Southern Literature and Drama at Emory University and Dramatic Writing at New York University's Tisch Schoolhouse, where she was a Reynolds Fellow in Social Entrepreneurship. Her piece of work has been commissioned, produced and developed at companies across the U.S. including South Declension Repertory (Emilie, Silent Sky), The Kennedy Heart (The Amazing Adventures of Dr. Wonderful And Her Dog!), Oregon Shakespeare Festival, The O'Neill, The Denver Center, San Francisco Playhouse, Marin Theatre Company, Synchronicity, Berkeley Repertory Theatre, Shotgun Players, TheatreWorks, Crowded Burn down and more. She co-authored Miss Bennet: Christmas at Pemberley with Margot Melcon, which was i of the most produced plays in America in 2017. Her work is published at Playscripts (I and You lot, Leave Pursued By A Deport, The Taming and Toil And Problem), Dramatists (The Revolutionists, The Book of Volition, Silent Sky, Bauer and Miss Bennet) and Samuel French (Emilie). Her picture book Dr. Wonderful: Blast Off to the Moon was released from Two Lions/Amazon in May 2017. Visit LaurenGunderson.com and @LalaTellsAStory.

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Margot Melcon

Playwright

Margot Melcon

Margot Melcon is a theatre artist, ambassador and writer. She was the Director of New Play Evolution at Marin Theatre Company for 7 years, where she dramaturged over xxx productions — including half-dozen world premieres — and administered the company's two annual new play prizes and commissioning program. She has developed plays with TheatreWorks, Bay Area Playwrights Festival, Crowded Fire Theater, Shotgun Players, Berkeley Repertory Theatre'due south Ground Flooring, The Kennedy Heart, the New Harmony Projection and the Playwrights' Center in Minneapolis. She is currently the Program Executive for Promoting Culture at the Zellerbach Family unit Foundation. Margot is a graduate of California Country University, Chico.

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Eleanor Holdridge

Director

Eleanor Holdridge

Eleanor fabricated her Cincinnati Playhouse in the Park debut with The Revolutionists in 2016. Her off-Broadway credits include Selma '65 (La MaMa Theatre); Steve & Idi (Rattlestick Playwrights Theater); Cycling Past the Matterhorn (Clurman Theatre); and The Imaginary Invalid and Mary Stuart (The Pearl Theatre Company). Regional credits include The Crucible, and the world premieres of Fickle: A Fancy French Farce and I and Yous (Olney Theatre Center); the world premiere of a new adaptation of Cyrano de Bergerac (Perseverance Theatre); Vanya and Masha and Sonya and Spike (The Orlando Shakespeare Visitor); God of Carnage and Pygmalion (Lowest Theatre); Afterwards the Revolution and Something You Did (Theatre J); Gee'due south Bend (Arden Theatre Company); Hamlet, Every bit You Like It, The Tempest and Twelfth Night (Shakespeare & Company); Educating Rita, Noises Off, Art and Other Desert Cities (Triad Stage); Julius Caesar and MacBeth (Milwaukee Shakespeare); The Ii Gentlemen of Verona (Alabama Shakespeare Festival); A Midsummer Nighttime's Dream (Shakespeare Festival St. Louis); Henry V (Shakespeare on the Sound). Upcoming productions include Tenderly: The Rosemary Clooney Musical (Florida Rep) and Richard Two (Orlando Shakespeare Theater Festival). Eleanor has been founding Creative Director for the Red Heel Theatre Visitor, Resident Assistant Director at Shakespeare Theatre and Resident Managing director at New Dramatists. She has worked at the Yale Schoolhouse of Drama, New York Academy and the Juilliard Schoolhouse, and she currently chairs the Drama Section at Catholic University. She earned her BA from Sarah Lawrence College and MFA from Yale School of Drama.

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John Coyne

Fix Designer

John Coyne

John is excited to return to Cincinnati Playhouse in the Park where he previously designed I Loved, I Lost, I Fabricated Spaghetti. He has designed sets for numerous companies across the U.S. including Past the Way, Meet Vera Stark for Alliance Theatre; Les Miserables, Henry IV, Of Mice and Men and Tartuffe for Dallas Theater Eye; Charly's Aunt for Guthrie Theater; Crude Crossing for The Quondam World; Macbeth for The Shakespeare Theatre Company; and Hamlet for The Public Theater. John'due south pattern work has been seen at Goodspeed Musicals, Yale Repertory Theatre, Asolo Repertory Theatre, Triad Stage, TheaterWorks Hartford, Ford'southward Theatre, California Shakespeare Theater, Baltimore Center Stage, Geva Theatre Middle, Portland Center Phase, Barrington Stage Visitor, Triad Phase, Santa Fe Stages, The Juilliard School and Chautauqua Theater Visitor, amid others. Opera credits include Die Meistersingers von Nurnburg, The Ballad of Infant Doe and L'Elisir D'Amore at San Francisco Opera; Simon Boccenegra, Cavalleria Rusticana and Pagliacci at San Diego Opera; and Die Fledermaus at Washington National Opera; as well equally designs for New York Metropolis Opera, Fletcher Opera Theater, Opera Festival of New Jersey, Merola Opera Plan and San Francisco Opera Center. John received his MFA from Yale University and is currently the Director of Scenic Pattern at The University of North Carolina School of the Arts.

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Helen Q. Huang

Costume Designer

Helen Q. Huang

Helen is pleased to be making her Cincinnati Playhouse in the Park debut. Blueprint credits include Oregon Shakespeare Festival, Guthrie Theater, Archetype Phase Company, Children'south Theatre Company, Arena Stage, The Studio Theatre, Woolly Mammoth Theatre Visitor, Ford's Theatre, Shakespeare Theatre Visitor, Folger Theatre, Signature Theatre, Syracuse Stage, Seattle Repertory Theatre, Milwaukee Repertory Theater, Philadelphia Theatre Company and Disney Entertainment. Opera credits include Boston Lyric Opera. Ballet credits include The Washington Ballet. International credits include ready and costume design for National Opera House of China and the Central Television of Communist china. Awards include the Helen Hayes Award and Ivey Award. Exhibitions that Huang'southward pattern works have been presented in include The Prague Quadrennial, the Costume Pattern at the Turn of the Century exhibit in Moscow and Celebrating a Century of Women Designing for Live Performance in New York. Huang is a professor of MFA Costume Blueprint Program at Academy of Maryland, College Park. Delight visit www.helenqhuang.com.

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Nancy Schertler

Lighting Designer

Nancy Schertler

Nancy is pleased to return to Cincinnati Playhouse in the Park, having most recently designed here for Erma Bombeck: At Wit's End in 2017. Broadway credits include productions of Bill Irwin's Fool Moon and Largely New York (Tony Laurels nomination). Off-Broadway productions include Hilda (directed by Carey Perloff), and Texts for Zero and The Regard Evening (directed by Bill Irwin). Her collaborations with director Eleanor Holdridge include designs for The Crucible, Fickle, Hay Fever and The Who & The What. She has designed for regional theatres beyond the country, including American Conservatory Theater (A.C.T.), Arena Stage, La Jolla Playhouse, McCarter Theatre Eye, Portland Center Stage and Seattle Repertory Theatre. Earth premiere opera productions include The Difficulty of Crossing a Field, which was deputed by A.C.T.; and Shadowboxer, Clara and Later the Aforementioned Evening, commissioned past Maryland Opera Studio.

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Matthew M. Nielson

Composer and Co-Sound Designer

Matthew M. Nielson

Matthew made his Cincinnati Playhouse in the Park debut in 2012 with The 3 Musketeers and has since returned for Abigail/1702, The Book Club Play, Clybourne Park, 4000 Miles, Sherlock Holmes and the Adventure of the Suicide Lodge, Peter and the Starcatcher, Buzzer, Sex activity with Strangers, Mad River Rising, Mothers and Sons, A Prayer for Owen Meany, Summerland, Treasure Island and Misery. Off-Broadway credits include The Public Theater/ NYSF, Lincoln Heart Theater and 59E59 Theaters. Regional credits include Portland Heart Phase, Milwaukee Repertory Theater, the Repertory Theatre of St. Louis, Actors Theatre of Louisville, Arena Stage, Denver Heart Theatre Company, Philadelphia Theatre Company, Delaware Theatre Company, Ford's Theatre, The Kennedy Center, Signature Theatre, Barrington Stage Visitor, Circular House Theatre, Woolly Mammoth Theatre Company, The Studio Theatre, Theater Alliance, Olney Theatre Center and Gimmicky American Theater Festival. Moving picture and television credits include Death in Fourth dimension, Elbow Grease, Blueish, Epix Bulldoze-In, From Hell to Here, The Practiced Ways of Things, The Long Route and Too Similar the Lightning. Matthew is a founding fellow member of the audio theatre company The Audible Grouping and creator of the series Troublesome Gap. Nielson has won several awards for his work in the D.C. expanse, regionally and in movie. He is currently running Sound Lab Studios, a recording studio and product firm. Samples can exist heard online at www.CuriousMusic.com.

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Justin Schmitz

Co-Sound Designer

Justin Schmitz

Justin is delighted to be making his Cincinnati Playhouse in the Park debut! His New York credits include Moo-cow Play (Dixon Identify). Regionally, he has designed for The Kennedy Centre and The Kennedy Eye Theatre for Young Audiences, Signature Theatre, Circular House Theatre, Theater J, Olney Theatre Heart, Woolly Mammoth Theatre Company, The Studio Theatre, Imagination Stage, Constellation Theatre Company, Keegan Theatre, Rorschach Theater, Forum Theater, WSC Avant Bard, Chautauqua Theatre Company and Triad Stage. He has also designed for The Academy of Maryland, Catholic Academy of America and Gallaudet University, amongst others. He has received two Helen Hayes nominations: The Wild Party (Constellation Theatre) and I Call My Brothers (Forum Theatre). Blueprint fellowships include The Kennedy Center (2015) through the Kenan Institute, Chautauqua Theater Company (2013) and The Orchard Project (2011). If yous would like to hear samples of his work, see upcoming projects or learn more delight visit www.justinschmitztheatre.com.

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Howard Dent

Banana to the Lighting Designer

Howard Dent

Howard is excited to be at Cincinnati Playhouse in the Park. He retired in 2015 later 45 years as an educator in elementary, middle and loftier schools. Since retirement, he has been the assistant lighting designer on productions at Olney Theatre Middle in Olney, Maryland; Circular House Theatre in Bethesda, Maryland; and Syracuse Stage in Syracuse, New York. He is happy to work once again with Eleanor Holdridge, John Coyne and Nancy Schertler. Howard holds a BA in Drama and an MA in Education from Catholic University in Washington, D.C.

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Stephanie Klapper, CSA

Casting Director

Stephanie Klapper, CSA

Stephanie is thrilled to continue her collaboration with Blake Robison and Cincinnati Playhouse in the Park, having cast Shakespeare in Love, Mr. Joy, Exist Hither Now, Marie and Rosetta, Sooner/Later, Treasure Island and Murder for Two terminal season. Previously for the Playhouse, she bandage A Prayer for Owen Meany, Disgraced, A Christmas Ballad, Jane Eyre, Summerland, All the Roads Dwelling, Ken Ludwig'due south Baskerville: A Sherlock Holmes Mystery, The Secret Garden, Sex with Strangers, Mad River Ascent, Native Gardens, The Revolutionists, To Kill a Mockingbird, Mothers and Sons, Bad Dates, Sherlock Holmes and the Gamble of the Suicide Club, Safe Firm, Tenderly: The Rosemary Clooney Musical, Circle Mirror Transformation, Peter and the Starcatcher, Buzzer, Fly, Seven Spots on the Sun, Clybourne Park, 4000 Miles, Pride and Prejudice and A Delicate Ship, too every bit Shipwrecked! An Amusement; The Book Guild Play; Leveling Up; Abigail/1702; The Three Musketeers; and The Blonde, the Brunette and the Vengeful Redhead. Her work is frequently seen on Broadway, off-Broadway and regionally, as well equally on film and television receiver. She has many heady projects running and upcoming. Stephanie is a member of the Casting Guild of America.

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Brooke Redler

Stage Manager

Brooke Redler

Brooke is pleased to return for her quaternary season with Cincinnati Playhouse in the Park. Her off-Broadway credits include Breathing Fourth dimension, The Faire and From White Plains (production stage manager, Fault Line Theatre). Regional theatre credits include Meg Dollar Quartet, The Curious Incident of the Dog in the Night-Time, Summerland and Native Gardens (Cincinnati Playhouse in the Park); Hair: Retrospection, Stillwater, The Whipping Homo, August: Osage County, Cabaret and v seasons of A Christmas Carol (product stage manager, Kansas City Repertory Theatre); Peter and the Starcatcher and Richard II (Utah Shakespeare Festival); Vanya and Sonia and Masha and Spike (Center Stage in Baltimore); and The Drowsy Chaperone, Is He Dead? and Harry the Dandy (Creede Repertory Theatre). Assistant stage management credits include Our Town, A Flea in Her Ear, Clay, Jitney and Dear, Janis (Kansas City Repertory Theatre); and work at Starlight Theatre, Stages St. Louis and Heart of America Shakespeare Festival. Brooke also has worked in opera, with credits including Moscow, Cherry Town and Medea (PSM, Opera Long Beach); and The Coronation of Poppea, Frida, Die Fledermaus and Tosca (ASM, Cincinnati Opera). She too spent two seasons at The Santa Fe Opera.

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Jenifer Morrow

Second Stage Manager

Jenifer Morrow

A stage manager at Cincinnati Playhouse in the Park since 1994, Jenifer became the PSM (head of the department) in 2005. She has worked on more than than 100 productions, including a number of regional and world premieres, and has traveled to several other theatres to bring co-productions back to the Playhouse. Her recent credits include Misery, Murder for Two, Marie and Rosetta, An Evening With Groucho, Shakespeare in Love, Little Shop of Horrors, The Second City's Holidazed & Dislocated Revue, A Prayer for Owen Meany, To Kill a Mockingbird, Low Down Dirty Blues, The Secret Garden, Tenderly: The Rosemary Clooney Musical and The Three Musketeers. Jenifer served as the PSM at Santa Fe Stages for several seasons. She has also phase managed at Cleveland Play House, La Jolla Playhouse, Theatre de la Jeune Lune, Long Wharf Theatre, Goodspeed Musicals, Virginia Shakespeare Festival, The Ordway and Players Theatre Columbus. One of her most memorable experiences was phase managing the U.K. bout of Miss Evers' Boys at The Barbican Centre in London and at the historic Bristol Old Vic.

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Suann Pollock

Assistant Stage Director

Suann Pollock

In more 20 years at Cincinnati Playhouse in the Park, Suann has stage managed many productions. Her favorites include Company; The History of Invulnerability; Three Sisters; Othello; Pure Conviction; This Wonderful Life; Love, Janis; Crowns; Jump; A Christmas Ballad; The Crucible; Hiding Behind Comets; and The Smell of the Kill. Regionally, she has served as production stage manager at Music Theatre Wichita, Ensemble Theatre Cincinnati, BoarsHead Theater and Cincinnati Ballet. Suann has directed Lilly'southward Purple Plastic Handbag and The Phantom Tollbooth for Cincinnati Playhouse in the Park'due south Off the Hill outreach tours. Other favorite directing credits include Pride and Prejudice; Rent; Urinetown; and Bat Boy, The Musical. Suann teaches Musical Theatre Acting for University of Cincinnati'south College- Conservatory of Music Prep Department and is a proud member of Actors' Equity Association.

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Pemberley Awaits

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v Questions With Marina Shay

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Meet Marina Shay, who plays Elizabeth Darcy in Miss Bennet: Christmas at Pemberley. Learn how she became an histrion, what role has been about memorable for her and what she's enjoyed about performing in this mannerly and witty production.

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5 Questions With John Ford-Dunker

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Encounter John Ford-Dunker, who plays Charles Bingley in Miss Bennet: Christmas at Pemberley. Larn about his early on beginnings equally an actor, what role has been his favorite and why he'south enjoyed this beloved production.

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5 Questions With Maribel Martinez

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Source: https://www.cincyplay.com/archive/miss-bennet-christmas-at-pemberley

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